[Reading] ➸ The Anatomy Lesson Author Philip Roth – Saudionline.co.uk

The Anatomy Lesson quotes The Anatomy Lesson, litcharts The Anatomy Lesson, symbolism The Anatomy Lesson, summary shmoop The Anatomy Lesson, The Anatomy Lesson 476dfe5d At Forty, The Writer Nathan Zuckerman Comes Down With A Mysterious Affliction Pure Pain, Beginning In His Neck And Shoulders, Invading His Torso, And Taking Possession Of His Spirit Zuckerman, Whose Work Was His Life, Is Unable To Write A Line Now, His Work Is Trekking From One Doctor To Another, But None Can Find A Cause For The Pain And Nobody Can Assuage It Zuckerman Himself Wonders If The Pain Can Have Been Caused By His Own Books And While He Is Wondering, His Dependence On Painkillers Grows Into An Addiction To Vodka, Marijuana, And Percodan

10 thoughts on “The Anatomy Lesson

  1. says:

    This is the funniest of the Zuckerman Unbound tetrology and a fantastic read Again, Nathan is living in the aftermath of the publication and scandal surrounding his book Carnovsky Portnoy s Complaint in Roth s real life He is in constant physical pain with 4, then 5, mistresses and decides to drop writing and go to medical school in Chicago In Chicago, his female limo driver Ricky is treated to his impersonation of a literary rival who Nathan transforms into a pornographer This is a wonderfully funny book fully of life and typical Roth self deprecation and now one of my favorites from him Now, I need to read Patrimony.RIP 1933 2018 One of America s literary giants has left us.

  2. says:

    Pain is like a baby crying What it wants it can t name Philip Roth, The Anatomy LessonThe Anatomy Lesson is book 3 in the Zuckerman Bound trilogy The first two being The Ghost Writer and Zuckerman Unbound The Prague Orgy is also included often, as it is the epilogue thus turning the trilogy into a tetralogy Anyway, like all of the Zuckerman novels, Roth is brutal in his introspection Zuckerman has bottled up his anger at his moralist critics and mental anguish at the death of his parents to the extent that he actually suffers physically and is unable to write This creative castration of Zuckerman serves to drive the narrative as much as this type of novel has a driven narrative Mostly, it deals with conversations with friends and doctors, physical relationships with female caregivers, and large doses of philosophical tangents on pain, pleasure, defense of creativity, consciousness, kin, death, doubt, etc One of my favorite sections of the book was Zuckerman riffing on the inside of his mouth When he wasn t sucking liquid pulp or sleeping, he went exploring his mouth with his tongue Nothing existed but the inside of his mouth He made all sorts of discoveries in there Your mouth is who you are You can t get very much closer to what you think of yourself The next stop up is the brain No wonder fellatio has achieved such renown Your tongue lives in your mouth and your tongue is you He sent his tongue everywhere to see what he was doing beyond the mental arch bars and elastic bands Across the raw vaulted dome of the palate, down to the tender cavernous sockets of the missing teeth, and then the plunge below the gum line That is where they d opened him up and wired him together For the tongue it was like the journey up the river in Heart of Darkness The mysterious stillness, the miles of silence, the tongue creeping conradianly on toward Kurtz I am the Marlowe of my mouth Brilliant.

  3. says:

    In the previous book in the Zuckerman Bound series, entitled Zuckerman Unbound, we see that the novelist Zuckerman, castigated particularly by Jews for his popular and funny novel Carnovsky, about a lecherous young Jewish man such as Roth s Portnoy s Complaint Carnovsky s Newark Jewish community and his family are horrified that they see his family in this novel This is a deliberate ploy on Roth s part, to say that his characters have nothing and everything to do with his own life There are many parallels, but Roth ultimately uses those parallels to make jokes, not to make any kind of serious reflection on the relationship between fiction and life Anyway, in Zuckerman Unbound, Zuckerman s father s last word to his son was bastard for writing that anti semitic novel, and his brother Henry dismisses him completely So what is Zuckerman unbound to, at the end of that book Responsibility to Jews, to Newark, to family To high minded, pious commitment to Israel Without an old country link and a strangling church like the Italians, or the Irish, or the Poles, without generations of the American forebears to bind you to American life, or blind you by your loyalties to its deformities, you could read whatever you wanted and write however and whatever you pleased Alienated Just another way to say set free A Jew set free from Jews yet only by steadily maintaining self consciousness as a Jew That was the thrilling paradoxical kicker He s a secular Jew free to imagine anything, even if Zuckerman will always be seen as a doppleganger for Roth himself, and criticized for that He s says screw you if you don t like it, then castigates you if you are a critic In Zuckerman Unbound, Zuckerman seems to distance himself from his central lusty character, Carnovsky I m not Carnovsky In The Anatomy Lesson, though, he becomes Carnovsky, without apology We see him having sex with as many as four different women So you have been warned or encouraged Yes, this is a male perspective on middle aged Zuckerman, in part focused on a continued interest in sex Like it or leave it Seems like many men like it, and most women leave it.The central focus of this book is on the aging body, on anatomy The opening of The Anatomy Lesson shows Zuckerman at mid career, 40, having worked 20 years as a writer focused every day on his two pages, with sometimes mixed results, with his body his anatomy breaking down a bit He is experiencing some writer s block, he has serious neck pain that travels down his arm, and he is balding All of these facts provide the basis for some sometimes amusing sometimes not whining about the pains that the writer s life has brought to him Where does he get this pain In part from his self destructive hatred of his moralist critics And he s just getting older Which is an opportunity for comedy, and at times, this is the funniest Zuckerman novel.The tone shifts sharply, though, as Zuck recalls the most painful time in his life, when his mother died Which becomes another or continuing anatomy lesson about the end of the body for everyone in death The tone shifts again, however, from grief to rage when Zuckerman gets a request from a critic, Milton Appel modeled on Irving Howe to write for the NY Times Book Review something nice about the Jews and Israel to help counter the anti semitic or self hating portrayals of Jews in his works So Zuck has had it with writing He wants to do some actual good in the world without bad reviews and all this obsessive self reflection So he applies to medical school to take, among other things, anatomy classes Flying out for an admissions interview, he meets his limo driver, Ricky, and pretends to be Appel, transforming him from a literary critic to a pornographer with long, detailed, profanity filled descriptions of his completely made up career as an adult movie producer, and men s magazine publisher Zuckerman thus sends up Appel, and Roth sends up Howe, either harshly or hilariously, depending on your view of his aggressive masculinist prose.The end of the novel has Zuck in the hospital, having passed out in a cemetery literally on his face, high on percodin, his career switch over Facing his own anatomy s mortality The Anatomy Lesson is a comedy of illness, often funny, sometimes self deprecating, sometimes infuriating Never boring, though, this book Not one of his best works, and not for everyone you could be laughing at turns, at turns admiring of his writing, and then offended.What s amusing is that Zuckerman s supposed goal is to escape narcisstic life of the novelist, but this novel s whole foundation is one of narcissism And he knows we know this That s funny, right Yes No For Roth, maybe a 3.5 But some sentences no one else could have written anywhere near as well I m kind of conflicted, but if I compare it American Pastoral or Portnoy s Complaint, it isn t quite there The most damning thing I can say about it is that IF you were looking for well rounded, interesting female characters and why wouldn t you you would not find them in this book But I still contend it s very good It s a pretty funny look at mid life and fame and the writer s life, if you are interested in those things.

  4. says:

    In questo terzo, illuminato libro di Zuckerman, il nostro eroe alle prese col dolore Un dolore acuto e persistente, un dolore oscuro e invalidante, che gli impedisce di scrivere e gli permette cos di riflettere sul significato della scrittura ossessione e destino Al dolore si tenta di dare un significato per poterlo giustificare e quindi accettare, ma ogni tentativo vano, addirittura puerile Infatti soffrire tornare allo stato infantile primitivo un puro grido di disperazione che invoca la mamma.E invece Tutti vogliono rendere il dolore interessante prima le religioni, poi i poeti, poi, per non essere da meno, anche i medici, che fanno la loro parte con la loro ossessione psicosomatica Gli vogliono dare un significato Che vuol dire Cosa nascondi Cosa mostri Cosa tradisci impossibile soffrire e basta, la sofferenza deve essere significativa Invece il dolore non interessante e non a senso semplice e stupido dolore Ci che il dolore rivela a Nathan, invece, l ineluttabilit della sua separazione, la consistenza del suo far della vita libro, l affondo nel buco nero dell io Da dove il minatore Roth Zuckerman estrae parole rivelatrici su che cosa significa veramente per uno scrittore avere a che fare con le parole, con la vita che si intreccia in una storia Scrivere avrebbe intensificato ulteriormente ogni cosa Scrivere come aveva testimoniato Mann, anche con il suo esempio era l unica cosa per cui valesse la pena di battersi, l esperienza inarrivabile, la lotta pi nobile, e si poteva scrivere solo fanaticamente Senza fanatismo, in letteratura, non si sarebbe mai arrivati a fare nulla di grande Nathan aveva il concetto pi alto possibile delle gigantesche capacit della letteratura di assorbire e purificare la vita Avrebbe scritto ancora, pubblicato ancora, e la vita sarebbe diventata colossale Ma quella che divenne colossale fu la pagina seguente Credeva di aver scelto la vita, invece aveva scelto la pagina seguente Mentre rubava il tempo per scrivere racconti, non pens mai di chiedersi cosa il tempo avrebbe potuto rubare a lui Solo gradualmente il perfezionarsi della ferrea volont dello scrittore cominci ad apparirgli come un evasione dall esperienza, e i mezzi indispensabili per liberare la fantasia, per esporre, svelare e inventare la vita, come la forma di carcerazione pi severa Credeva di aver scelto l intensificazione di ogni cosa e invece aveva scelto la vita monastica e ritirata insito in questa scelta c era un paradosso che non aveva mai previsto Impossibilitato a scrivere, drogato dagli antidolorifici, Nathan tenta di sfuggire al vortice risucchiante dell io e vuole, a quarant anni, cominciare un nuovo corso, iscriversi a Medicina, partecipare al consorzio umano con la percezione di essere utile agli altri Per questo va a trovare il suo ex compagno di college, diventato medico In ospedale ci arriver , sicuro, ma per una strada molto diversa da quella immaginata E l illusione di potersi sganciare da un futuro di uomo separato dagli altri ovviamente destinata a naufragare.

  5. says:

    La lezione di anatomia una grande domanda sul dolore Su un dolore fisico che non dipende per forza, freudianamente, da cause psicologiche, ma che obbliga Nathan Zuckerman a fare i conti con la sua vita, con quella che stata e con quella che sar La sua vita di scrittore, infatti, l ha portato a ripiegarsi su se stesso fino a farsi venire mal di schiena , l ha spinto a spremere tutta la sua interiorit Non scrive pi da quattro anni, non ha pi niente da scrivere su di s , non riesce a scrivere degli altri, e il suo dolore fisico continua a rimpicciolire le sue vedute, riconduce costantemente tutto il suo essere a quel punto tra collo, spalle e schiena che lo fa tanto penare Se esci da te stesso non puoi fare lo scrittore, perch quello che ti mette in movimento l ingrediente personale, e se resti attaccato al tuo ingrediente personale finirai per sparire nel tuo buco del culo Per quanto non riesca a concludere un romanzo, per , Zuckerman sempre Zuckerman, e non pu fare a meno di inventare storie esilaranti lo avevamo gi visto nello Scrittore fantasma alle prese con un futuro possibile di Anne Frank Non riuscendo a inventare niente di nuovo, allora, tutto quello che pu fare moltiplicare se stesso, reinventarsi in versioni diverse, che pescano, vero, in profondit nella sua esperienza, ma non coincidono con la sua vera identit Lo Zuckerman Milton Appel lontano mille miglia dal Milton Appel reale di questo romanzo per certi versi la ripresa di uno dei temi di Zuckerman scatenato che rapporto c tra scrittore e personaggi Tra Zuckerman e Carnovsky E tra Zuckerman e Appel E tra Appel e Carnovsky E, ovviamente, tra tutti loro e Roth stesso La gabbia dello scrittore lo ha escluso dal mondo, pu rapportarsi solo con altri s , il mondo uno specchio che continua a mandargli immagini, ora fedeli ora distorte, della sua persona fino alla catarsi ospedaliera finale Come gi spiegava Flannery O Connor in Nel territorio del diavolo, L eroe moderno l escluso I confini del suo paese sono le pareti del suo cranio Come sempre, non si sa mai dove finisca l ironia e cominci la tragedia, quanto Roth, Zuckerman e i loro personaggi siano seri e quanto prendano in giro il lettore e gli altri personaggi Fa parte di questo grande gioco narrativo che Roth conduce con enorme maestria A fare da sfondo, poi, i soliti ma intramontabili temi l ebraismo, il rimando kafkiano alla figura paterna, le donne, una Newark da cui ci si allontanati, ma da cui non ci i libera mai veramente Un romanzo labirinto in cui pi si va avanti, pi ci si perde e pi le strade si moltiplicano Roth indica tutti i cunicoli, tutte le strade possibili, ma non accompagna il lettore all uscita, n gli fa percorrere fino in fondo un determinato percorso lo mette l , in mezzo al labirinto, tra lo smarrimento e il piacere del gioco.

  6. says:

    What is perhaps so striking about this book is that Philip Roth depicts an aging writer who, because of undiagnosed physical pain, has stopped writing filling his world with doubt and despair Zuckerman s pain is very much an investigation of Roth s own biographical highlights Roth too recovered from surgery, stopped finding writing worthwhile, and was attacked over and over again for his most infamous novel Portnoy s Complaint i.e Carnovsky So disillusioned with writing is Zuckerman that he wants to become a doctor, healing his own pain, but mroe importantly healing his own doubt Idealistic, yes, but as Roth always does, his characters occupations always inform on writing For Zuck, being a doctor means working with people, not alone with doubt.Some of the wildest passages are when Zuckerman poses as a pornographer he has named after his worst literary critic, Appel His arguments for pornography sadistically paralell a defense for his own writing It abuses women It is bad for the Jews No You misunderstand me Though posing as Appel is revenge in writerly overdrive, Roth is reacting to his real world critics while underminding his characters Yep, meta meta meta fiction Arg You know it, enjoy Read this on the heels of Zuckerman Unbound to see Nathan dealing with his success I think that Roth writes these books for the idealistic He wants people to know that writing is hard, celebrity is harder, and that even though everyone is going to tell you you are crazy, no one will sympathize with your literary plights Or career choices for that matter Zuckerman lives for a time with an unrealistic dream to be a doctor and when explaining this to his college friend Bobby, now a doctor, he is turned off of his idealism It is not writing that is full of doubt life is full of doubt Some of Roth s most touching passages are when Zuckerman, finally finding solace in people who actually address his pain as life s pain, wanders here and there in a hospital He talks with the elderly He visits those who are sick He pushes an old man around in a wheel chair He is inspecting himself and realizing, in the calm after his personal storms, that This is life With real teeth in it And though Zuckerman may still not have matured all the way out of himself, he is set to try.

  7. says:

    If the first half of this book didn t exist, the book would ve earned three three and a half stars But the first 150 pages or so are completely unfocused, boring, and incredible though I ve heard much of what happens in the book actually happened to Roth in real life a claim that is irrelevant, as far as I m concerned that I nearly hurled this book across the room at several points during my arduous attempts at finishing it The Anatomy Lesson was my first and LAST experience with Roth.

  8. says:

    The Anatomy Lesson The Anatomy Lesson 1983 is the third of a trilogy of Philip Roth novels about an American Jewish novelist, Nathan Zuckerman Zuckerman has at least vague resemblances to what readers might imagine as the character of Roth Throughout the book, Roth plays on these resemblances, teasing the reader about the extent to which the writer and his fictional protagonist may be the same The relationship between author and character is only one of the many studied ambiguities and themes in this book.The story is told in the third person, perhaps to separate Roth from Zuckerman It is set primarily in 1973, shortly after Watergate At the age of 40, Zuckerman has written four novels but has suffered from writer s block for four years When he published his fourth and highly successful novel, Carnovsky , his father and brother reacted sharply as they thought the book mocked the family and American Jews On his death bed, the father cursed Zuckerman About a year after the father s death, Zuckerman s mother died Roth s first sentence in the book is w hen he is sick every man wants his mother Thus Zuckerman has been suffering from severe neck and back pains which the finest of New York City s specialists cannot diagnose or cure, and he becomes dependent upon the ministrations of women.The book features a mixture of Roth s bravado and sharp humor on the one hand and seriousness and introspection on the other hand Ego is on full display Much of the story moves forward through long conversations between Zukerman and a variety of other characters in the book There are many arguments and verbal confrontations.A major theme of the book is the loneliness and isolation of the life of a writer Zuckerman portrays himself, with some reason, is sitting in a bare quiet room from his 20 s struggling to develop and think through language and character and stories His libido as always is in the way as Zuckerman has gone through and divorced what he describes as three exemplary wives Zuckerman also is stung by criticism of his work, even though his novels have attained great popularity and have made him financially comfortable Midway in the book, the frustrated writer forms the idea of going back to school, changing professions, and becoming a doctor He imagines that as a physician he could do clearcut good for people and avoid the ambiguities, bickering, and loneliness attendant to writing Besides dealing with the process and nature of writing, Zuckerman has issues with his strong sexuality and, even so, with his Jewishness.The novel is in two broad parts The first part takes place with Zuckerman with his illness and writer s block in New York City He is tended to by four women, each of whom offers him care as well as sex in varied forms The opening gradually turns to Zuckerman s relationship to a critic named Appel who has written a lengthy essay rejecting Zuckerman s work for what he sees as its hostility to American Judaism Following the Yom Kippur War, Zuckerman learns that Appel wants him to write a New York Times essay responding to criticism of Israel Zuckerman reacts angrily, in the process addressing sore issues about his relationship to his family, to the community in which he grew up, and to Judaism.The second part of the book is set in Chicago Full of painkillers, drugs, and alcohol, Zuckerman travels to the University of Chicago in pursuit of his will of the wisp dream to become a physician This is the stronger, livelier part of the book, full of outrageously brilliant, ribald, and yet introspective writing To a variety of people, including, the unfortunate businessman sharing a plane seat with him, and a young woman working as a chauffeur, Zuckerman portrays himself as a successful and unscrupulous hard core pornographer with the name of his nemesis, Appel, en route to a meeting with Hugh Heffner Zuckerman also meets with an old high school friend who has become a doctor and a medical school professor Zuckerman s writers block, if not his illnes, seems to disappear as his imagination becomes overworked in his depiction of himeslf as the publisher of pornographic magazines and movies and the proprietor of a swingers club.The novel manages to combine bravura and wit with considerable seriousness and thought The book portrays well the sense of inner conflict that invariably accompanies writing or serious intellectual or creative effort The books in Roth s Zuckerman trilogy, The Ghost Writer , Zuckerman Unbound and The Anatomy Lesson each stand on their own and do not require knowledge of the other books in the series to be enjoyed and pondered.Robin Friedman

  9. says:

    Reprinted from the Chicago Center for Literature and Photography cclapcenter.com I am the original author of this essay, as well as the owner of CCLaP it is not being reprinted illegally As regular visitors know, I m in the midst of reading all nine of the autobiographical Nathan Zuckerman novels that author Philip Roth has penned over the decades, from 1979 s The Ghost Writer to 2007 s Exit Ghost And that s because, as a newish book critic only three years full time now , I m continually trying to educate myself about the periods of literary history I know the least about, which would definitely include the Postmodernist Era, which lasted roughly from Kennedy s death to 9 11 deliberately depressing touchstones chosen because of this period mostly marked by a preoccupation with the downfall of America, or generally the downfall of all post industrial Western lifestyles and many say that one cannot get any better of a dense yet simplified look at that era than to read all of Roth s Zuckerman books, since he not only spent most of his adult life in this period in his thirties at the beginning, in his seventies by the end but is also one of the revered artists of this period, as a result living a very typical Postmodernist life as dutifully recorded in these lightly fictionalized true life tales even while helping to shape what those typical issues were for society as a whole.I ve already covered his first book, The Ghost Writer, Roth s look back at his twenties as a hot young star of very late Modernism, publishing his first New Yorker stories at the same time as his fellow Postmodernist pioneers as John Updike, Norman Mailer and , in the case of this book looking at it all through the filter of the naive Zuckerman attending a boozy Who s Afraid of Virginia Woolf type dinner in rural New England with a Saul Bellow stand in, an older and successful writer who is ambivalent about his status as a 20th century trailblazer in Jewish literature, actually written twenty years after the relevant events described and I ve already reviewed his second novel in the series as well, the highly popular Zuckerman Unbound, a frank and sometimes self scathing look at Roth s thirties, when his funny and filthy Portnoy s Complaint became an accidental international bestseller, and helped kick off an entire countercultural series of nebbishly sexy young urban Jews like Woody Allen and the like, fictionalized here into Zuckerman s Carnovsky and which has ignited a mostly generational fiery debate among the Jewish community, for laying out in a funny yet revealing proto Seinfeld way all the foibles and personality tics of that community, tropes we now generally find endearing the guilt inducing Jewish mother, the crazy uncle full of anti Semite conspiracy theories but that were highly controversial to talk about at the time that Roth did.And the reason I mention this in such detail is that today s book under review, 1983 s The Anatomy Lesson, is in many ways about the same subjects, just with Zuckerman now in his forties the book s set in the Ford Carter years of the mid 70s , and how time and further revelations have now changed the way he look at all these topics Because this is a sadder and complicated Zuckerman we re seeing here, one whose parents have recently died and whose brother accuses Carnovsky of killing, which Nathan thinks of in a complex way sometimes wishing that he had done things differently, sometimes angry over the fact that his parents could ve gotten it if they had tried, but had chosen instead to be deliberately insulted by him airing their community s dirty laundry to the cackling laughter of a Gentile audience And like I said, this does two things at once because since so many of Roth s fellow baby boomers had similarly contentious relationships with their parents over their countercultural beliefs, and since it s so common to lose one s parents in one s forties, Roth ends up speaking to his entire generation in this novel, even as it also exists as a specific roman a clef about the ups and downs of intellectual fame, of being a reluctant sex symbol in a let it all hang out age, and .But let me also make it clear that, of the five Roth novels I ve now read the three mentioned, 2004 s The Plot Against America, and 2009 s The Humbling , this is the first one to make me regularly giggle out loud in public all the way through it, and I mean to the point where it was annoying my neighbors at the cafe and that s because this is also a very funny look at the Male Mid Life Crisis, and all the ridiculous attitudes and actions that come with it That s actually where the name of the book comes from because as it opens, we find a 40 year old Zuckerman suffering from a mysterious back pain that has nearly hobbled him, which a dozen different doctors haven t yet been able to diagnose, even as he is also becoming and aware of his rapidly corroding body thinning hair, softening belly , eventually requiring just to get through his day his harem of Florence Nightingales, a cadre of four women who play different roles in his life but in one way or another help to take care of him, some of whom also regularly have kinky sex with him despite his injuries He props up his head during oral sex with a thousand page thesaurus, given to him by his proudly blue collar immigrant father in the 1940s as he headed off for college at the University of Chicago and that single sentence right there gives you a pretty good snapshot look at Roth s entire career Tired of his role as a public intellectual and scourge of feminists and conservative Jews nationwide, on the spur of a moment one day Zuckerman decides that what he really wants to do is move back to Chicago and go to medical school yet another development the novel s title alludes to , figuring that he ll be ready to have a nice quiet practice completely out of the limelight by the time he s fifty but this is where the zany part comes in, as it often does with humorous Postmodernist Jewish artists, because Zuckerman happens to be self medicating for his pain at the time, through a combination of vodka, weed, and Percodan overdoses, which makes him come to believe that a spur of the moment trip to Chicago is in order, to hit up an old college friend who s now a doctor for a med school recommendation, the surrealism upped and through the continual cocktail of controlled substances he downs all the way there, which by the time he s in Chicago has him babbling in morphine fueled monologues to anyone who will listen about how he s actually a Larry Flynt type publisher of hardcore smut who is there to kick Hugh Hefner s ass, proudly proclaiming his name to be actually the name of a Jewish book critic who has panned all of Zuckerman s books And for my fellow Chicagoans, don t miss the amazingly nostalgic and detailed reminisces about the city in the 1950s that Roth offers up in this section, including fantastic descriptions of a run down Mid Century Modernist Loop, and getting drunk with Thomas Mann in the still existing Hyde Park dive bar institution Jimmy s Woodlawn Tap The whole thing culminates, then, with a series of wonderful little surprises which is why I won t spoil things, but suffice to say that things end on a somber note but that has interesting things to say about the aging and maturation process.It s Roth really at the top of his form for the first time, coming into his mature voice here in the early 80s just in time for his most revered work, award winning novels like American Pastoral and The Human Stain that he will be best remembered for but at the same time, it s also a timeless look at middle age and the issues that all people in their early forties go through although especially nebbish, oversexed intellectuals in their early forties , which on top of simply being a good history book now gives you triple the usual reasons to read it yourself I have to say, three titles in now, I m really glad so far that I decided to take on the Zuckerman novels, and this latest has me looking that much forward now to the next in the series, 1985 s provocatively titled The Prague Orgy, an experimental novella in which we follow Zuckerman s journal as he travels to Communist Czechoslovakia to seek a missing manuscript from a martyred Yiddish writer Here s hoping it ll be as good as the first three volumes.

  10. says:

    S um Mestre das letras conseguiria escrever um livro com um humor t o acido e delicioso, e que consegue ao mesmo tempo ser uma reflex o sentida sobre a doen a e a dor Faz muita falta Philip Roth Recomendo.

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